Dick Arentz - Images in Platinum

WORKSHOPS
Master Class in Patinum & Palladium Printing - This class is open to intermediate/advanced Pt/Pd printers working with either in-camera or digitally generated negatives. Emphasis will be placed on the steps of pre-visualization, optimizing the potential of suitable images and ultimately, the making of the final print to communicate the student’s vision to the viewer.Presentations will be given on the work of notable Pt/Pd printers to demonstrate the uniqueness of the Pt/Pd print and aid the student in determining the types of visual statements most appropriate to the medium. Portfolios will be reviewed to identify the unique personal vision of each student. To achieve the goals of the Master Class, processing methods will be presented in combination with various papers suitable for Pt/Pd printing. Field trips are planned, and a laboratory and computers necessary to make images will be provided on site. It is suggested that those students working with in-camera negatives have a working knowledge of basic metering and negative making techniques. These techniques are covered extensively in my book, Platinum & Palladium Printing. 2nd edition, available from dick.arentz@nau.edu. For those students working with digitally generated negatives, Mark Nelson’s method will be used. Students should have a working knowledge of that process and, ideally, come to the workshop with negatives printed using that method. Mark Nelson’s CD, Precision Digital Negatives, is available from Mark at precisiondigitalnegatives.com. Fee: $725.00.
Private Workshops

Contact Dick about private sessions tailored to your schedule.

Platinum and Pallidium Printing 2nd Edition ORDER NOW!

Platinum & Palladium printing, Second Edition is the only comprehensive work on platinum and palladium printing. This eagerly anticipated second edition covers the three major new innovations in platinum and palladium printing:

  • Sodium chloroplatinate (Na2) contrast control agent
  • Procedure to acidify many fine papers previously unsuitable for platinum printing
  • Computerized enlargement of negatives

Platinum and palladium printing is one of the easiest of the non-silver processes to learn. The guide offers a number of variations, which the photographer can closely control. Photographers interested in learning, or improving upon this process, will find this book an indispensable resource and reference guide. This is an absolute must-have for professional photographers and printmakers.

Inside you will find:

  • The three basic phases of printing: sensitometry, chemistry, and mechanics
  • Practical information based on the making of over 3,000 platinum and palladium prints, covering everything from making your first print, to the moist advanced techniques to challenge experienced printers.
  • Over 50 duotones of the author's platinum and palladium prints and those of five contributors

Also included for the first time are contributions written by recognized authorities in their fields:

  • Pyro and Platinum Printing by Bob Herbst
  • Crafting Digital Negatives by Mark Nelson
  • Ultraviolet Light Sources by Sandy King
  • Custom Platinum Printing by Stan Klimek
Last Update: Nov 1 2005